Who is bramante

He also wrote some scripts regarding his peculiar fields but none of them could be preserved. Donato Bramante died on March 11, at the age of 70 in Rome. Famous Architects. Donato Bramante. Book of the Month. Return to top of page. Loading Comments My parents were explosive in the same room, crashing furniture, screaming, and wielding guns and knives. After my parents divorced, we saw my dad a few days each year, up in either Apple Valley or Victorville with my grandmother Margie and grandfather Ron.

He had a big heart and a short fuse, and unfortunately the Valley and circumstance set him on a bad path. I have always loved my dad, but we never connected. I have strived to provide a better life for my children, and most of all, to connect with them. Growing up with a single mother meant I watched her become hardened and combative.

She relied on food stamps and often sent my brother and I to stay with grandparents, in Brentwood or Sherman Oaks for years at a time. As a poor, white kid growing up in a very poor latino neighborhood in North Hollywood, and as the smallest kid in the classroom, with curly, blond hair and thrift-store clothes, I felt like an outsider and that I had to be tough, tough like Karate Kid.

Miles and I regularly fought the kids who tried to take what little we had: G. Joes and He-Man toys. We always lived in apartments, never a home or a condo, but we spent the hot summers and created our best childhood memories in the apartment pools. For many years, sensei was like a father to me. He was a towering, charming, strong black man who had learned kickboxing and Hawaiian Kenpo at the dawn of Karate in the United States.

He taught Miles and I to fight, be strong, and to love the music of James Brown. We listened to the King of Soul while jump roping non-stop at his studio. I first realized we were poor one day at Hughes Market when my mom pulled out food stamps. They looked like fancy monopoly money. I was embarrassed to know we got handouts, and I felt the cashier and everyone in line behind us staring. My mom smiled. Most of the kids we went to school with were Jewish and lived within walking distance of the schools.

My brother and I had to take a bus and we were always tired before and after school because of the rides. And we were always treated as poor outsiders in JC Penny stiff jeans and thrift store shirts and jackets. My love of art began early when my grandmother, a court reporter for the Van Nuys Courthouse, paid for art classes. I studied oil painting every Saturday for many years. Leonardo, who also studied circular patterns in nature in such forms as water eddies, plants, and organs, made a number of drawings of centralized churches whose cores are essentially circular or square.

He also drew axial plans with highly centralized east ends. These plans reveal the beginning of an organic approach to centralized design in which forms seem to expand through an internal dynamic rather than through the addition of separate parts. Bramante would have had access to several treatises. Both Vitruvius' De architectura, the only theoretical work on Roman architecture surviving from antiquity, and Alberti's De re aedificatoria , the first architectural treatise by a Renaissance author, were in print in the mid s.

While living in Urbino, Bramante might have read the unpublished manuscript of Francesco di Giorgio's Architettura, and while living in Milan, he would certainly have read the unpublished manuscript of Filarete's Trattato d'architettura. His patron Ludovico Sforza possessed the copy that Filarete had dedicated to his father, Francesco Sforza. Bramante used simple ratios in defining the proportions of architectural elements. His foundation in geometry and mathematics is referenced in Raphael's portrayal of him as the fourth-century BC mathematician Euclid, who is shown drawing with a compass in the School of Athens.

Bramante, whose buildings corresponded to Vitruvius' recommendations, understood Roman architecture as a "whole cloth" rather than an assemblage of separate features. It has been said that his buildings looked as if they had been designed by a Roman architect who had been reincarnated in the Renaissance. Bramante's ornamentation consisted of little more than the application of the orders to accentuate structural components like piers, floors, and roofs. This allowed the beauty of his shapes and proportions to be appreciated without distracting elements.

Bramante favored the most simple and plain of the orders, the Doric order. Bramante thought in terms of interlocking volumes in which the spaces flowed together as one.

In its organic wholeness, his work expressed the harmony associated with the High Renaissance style. Bramante's plasticity was derived from the organic nature of the building itself rather than the projections and recessions of wall surfaces. In the development of High Renaissance architecture, Bramante was a pivotal figure whose status parallels that of his younger contemporaries Leonardo , Raphael , and Michelangelo.

Bramante attracted many followers, and although their styles developed in different directions after his death, they retained elements of his approach as well. Through publications and through the examples posed by their own architectural works in other parts of Italy, Bramante's followers disseminated elements of his style. Ninth-Century Church.

The plan of the original ninth-century Church of San Satiro is based on a Greek cross whose center is domed and whose arms end with apses. On the exterior, this is expressed on the upper level by the cross of pitched roofs extending from a square core. At the top, an octagonal drum carries the dome.

On the ground story, the arms are contained within a circular perimeter, and the spaces at the corners are filled with low chapels. Due to its small size, San Satiro became a chapel after the cruciform church was added in the fifteenth century. Bramante's design for St. Peters over two decades later was also based on a Greek cross with apse-ended arms. Main Church. The most notable part of Bramante's work on the new church of Santa Maria presso San Satiro is his creation of the illusion of a three-bay chancel within a shallow niche.

This was done using painted terracotta tiles that mimic a coffered ceiling. Bramante's baptistery follows the tradition of having eight sides, which refer to the seven days of Creation plus the day of Resurrection. Peter's and continued the decoration and expansion of the Vatican Palace, Bramante determined much of its plan and design. But the work was at an early stage when he died, just eleven years into the project, and little was completed as he designed it. Most of what he did complete was altered.

Santa Maria delle Grazie, Milan. Cloister of Santa Maria della Pace, Rome. Vatican Palace, Rome. Palazzo Caprini, Rome. Emergence as Leading Architect in Rome In Bramante moved to Rome where he received commissions to design a cloister and a chapel known as the Tempietto , which was the first building to fully realize the High-Renaissance style. Urbino - c. Mantua c. Milan c.